The court

Documentary director Virginia García del Pino enters a risky bet by following with her camera a popular trial where the possibilities of recording are determined by what the law allows in these contexts. This conditioning pushes her to take on the challenge of carrying out an experiment in which the viewer must face the reconstruction of a murder case, where the visual information that is provided offers a very wide possibility of construction of the facts and, therefore so much, of search of the possible truth that is trying to find.