A rapa das bestas

In her first films, Jaione Camborda opted to shoot in super-8 as a hallmark, based on confidence in the image, materiality and lyrical grain. Throughout her filmography, the filmmaker reflects from an ethnographic perspective on the relationship between man and the animal, violence and the atavistic, as we see reflected in her pieces Proba de axilidade (2015), A rapa das bestas (2017) and Videograms #4 (2022). Synopsis: Tradition and spectacle lead us to witness the hand-to-hand relationship between man and animal in a context of struggle.