SYNOPSIS
-Einstein-Rosen (Olga Osorio, 2016). Summer of ´82. Teo is sure he´s found a wormhole. His brother Oscar doesn´t think so. At least not yet.
-Lucrecia (Eva Marín, 2018). Lucrecia tells the story of an actress approaching 50, who is struggling to survive in her career. With hardly any roles made for women of her age, there are less and less offers of work coming her way. The situation starts to turn her into an anonymous woman, like any other, desperately looking for whatever type of work possible to pay the bills.
-Waterway for a fish (Mercedes Marros, 2016). It´s already nightime when from his window Oscar sees... a colourful little fish jumping in a muddy puddle! Two cats stalk him from the shadows. Oscar will help the fish navigate a wild adventure through noctural Latin America, with the shortage of water as a backdrop.
-Preserves (Mireia Pozo, 2017). “Preserves” tells the story of Paula, a restless girl who wants to talk to her boyfriend, Guille, about having an open relationship. Along the way, jealousy, doubts and desire for another person make it not so easy.
-Once (Sonia Rodríguez y María Guerra, 2015). One day like any other, Chila Hurta got her three children up and left the house that she shared with her husband. Nobody could understand how she could just up and leave him, such a kind soul.
-Coffee to go (Patricia Font, 2014). Alicia walks hurriedly along, making the last arrangements for her wedding and decides to get a take away coffee from the first cafe she finds. With a twist of fate, she unexpectedly finds Javi.