Kind of Cai
%20%20%2520%2520%253CP%253EOur%2520second%2520Spanish%2520presentation%2520this%2520year%2520is%2520a%2520distinctly%2520personal%2520appreciation%2520of%2520the%2520classic%2520Miles%2520Davis%2520album%2520Kind%2520of%2520Blue%252C%2520a%2520work%2520that%2520has%2520had%2520such%2520a%2520far-reaching%2520effect%2520on%2520music%2520since%2520its%2520release%2520in%25201959.%2520Here%252C%2520the%2520band%2520re-interprets%2520the%2520music%2520from%2520that%2520legendary%2520session%252C%2520guided%2520by%2520Guillermo%2520McGill%252C%2520who%2520has%2520been%2520a%2520driving%2520force%2520with%2520Paco%2520de%2520Luc%25EDa%AC2019s%2520sextet%2520for%2520almost%252030%2520years.%253C/P%253E%250D%250A%253CP%253EThe%2520players%2520respect%2520not%2520only%2520the%2520order%2520of%2520the%2520themes%2520but%2520also%2520many%2520of%2520the%2520arrangements%2520that%2520arose%2520during%2520Miles%AC2019%2520session.%2520But%2520more%2520than%2520merely%2520playing%2520through%2520the%2520pieces%2520in%2520a%2520Flamenco%2520style%252C%2520the%2520band%2520applies%2520a%2520brand%2520new%2520aesthetic%2520to%2520the%2520work%252C%2520as%2520suggested%2520by%2520their%2520name%2520%2528Cai%2520being%2520an%2520Andalusian%2520term%2520for%2520the%2520city%2520of%2520C%25E1diz%2529%252C%2520bringing%2520some%2520of%2520the%2520most%2520important%2520palos%2520%2528musical%2520forms%2529%2520into%2520the%2520soundworld%252C%2520as%2520well%2520as%2520the%2520application%2520of%2520remates%252C%2520llamadas%2520and%2520falsetas%2520%AC2013%2520other%2520musical%2520resources%2520prevalent%2520in%2520Flamenco.%2520Uniting%2520these%2520with%2520modal%2520improvisations%2520produces%2520a%2520rich%2520and%2520profound%2520effect%2520and%2520ushers%2520the%2520music%2520in%2520new%2520directions.%253C/P%253E%250D%250A%250D%250A%250D%250A%250D%250A%250D%250A%250D%250A%250D%250A%250D%250A%250D%250A%250D%250A%250D%250A%250D%250A%250D%250A%250D%250A%250D%250A%250D%250A%250D%250A%250D%250A%250D%250A%250D%250A%250D%250A%250D%250A%2520%2520%2520%2520%2520%2520%2520%2520%2520%2520%2520%2520%2520%2520%2520%2520%2520%2520%2520%2520%2520%2520%2520%2520%2520%2520%2520%2520%2520%2520%2520%2520%2520%2520%2520%2520%2520%2520%2520%2520%2520%2520%2520%2520%0D%0A%0D%0A%20%20%20%20%20%20%20%20%20%20%20%20%20%20%20%20%20%20%20%20%20%20%20%20%20%20%20%20%20%20%20%20%20%20%20%20%20%20%20%20%20%20%20%20
