A rapa das bestas

In her first films, Jaione Camborda chose to shoot in super-8 as a sign of identity, with confidence in the image, materiality and lyrical grain. Throughout her filmography, the filmmaker reflects from an ethnographic perspective on man's relationship with the animal, violence and atavism, as we see reflected in her works Proba de axilidade (2015), A rapa das bestas (2017) and Videogramas #4 (2022). 

Synopsis: Tradition and spectacle lead us to witness the body-to-body relationship between man and animal in a context of struggle.