Ignacio Pardo (1985-2004)

Ignacio Pardo is one of the pioneers of video art in Galicia, and in Spain. His video work revolves around the classic themes of Eros and Thanatos. The most present motifs in his work refer to the putrefaction of the meat, generally through flies or other eschatological elements, the viscera or the blood. He is also interested in suffering and pain, reflected either through nails that wound the flesh, scissors that amputate it, or through a frantic montage, violent at times, that makes images collide in the human eye.

The erotic and the sexual are shown in a rather biological way, without resorting to pornographic or sensual images: sexuality as a natural element is present in his work (both penetration and sexual organs), but generally wrapped in a humorous tone that cancels their erotic potential and end up generating an abstract perception of the sexual in a plane close to the contingent: everything, absolutely everything, will end up dying and sex continues to be the origin of more death.

However, he is not framed within a saddening current, in the baroque way of the tempus fugit, but rather, with a lot of humor, there is at the center of his work a great joy for living: as if he were reaching an illuminating vision of reality, of back from life, and — knowing and accepting extinction as a natural part of life — he decided to live uninhibited, celebrating every moment, including the instinctive and the lascivious in vital normality, away from puritanical orthodoxies.