To See a Woman

The exhibition of a female gaze as fascinating as it is non-conformist is the core of To see a Woman, the first feature film by Mònica Rovira, who questions the engine that drives a person to pick up a camera and document the world. It is a film where the play of textures, lights and shadows, works as the perfect metaphor of the ineffable of love, dependence and honesty, and which constitutes a sublime exercise of introspection and exorcism in which a woman faces the demons of her life as a couple.