Sin Dios ni Santa María

Sin Dios ni Santa María takes as its starting point the historical rereading of the figure of the witch, an investigation that led its directors to texts, among others, such as Calibán y la bruja, by Silvia Federici. It is an analysis that unearths the dynamics of social expropriation directed over the body, knowledge and reproduction of women for centuries.

Synopsis: As there were no airplanes, people moved by means of prayers from one land to another and returned early, before dawn. In ancient sound recordings, the voices of shepherds speak of a mythical existence, of witches and travels. In the daily life of a woman, the magic of their stories materializes as she waits for the night to come. Night is the time when travel is possible.