Let’s Go, Barbara!
It is not easy to avoid the label of pioneer when talking about Cecilia Bartolomé. Her career is full of those firsts that mark history, from her short film "Margarita y el Lobo" (1968), where she introduced a reference to lesbianism without negative nuances in Franco's audiovisual system; to the mid-nineties, with “Lejos de África” (1996), in which she dared to talk about Spain's colonial heritage in Equatorial Guinea based on her personal memories. Who else but her could have made a feminist plea like “Vámonos, Bárbara” (Let's go, Barbara) in 1978?
