A Night in Al-Ándalus, by Mara Aranda
The music and songs of Jews, Muslims and Christians, who wove their fortunes and destinies on Iberian soil, in meetings and court festivities or alongside daily chores, were heard in houses and palaces as well as in streets, squares and souks. They tell us about their festivities, their celebrations and rituals, their intimate feelings and also about historical events that took place at the end of old Europe. All this has been passed, as a living testimony, by word of mouth, from soul to soul from the time they were created until the present day.
The concert 'A Night in Al-Ándalus' showcases the sounds of medieval musical instruments from all over the Mediterranean area.
With this music and poetry, these songs and dances, men and women cemented their identity in the past, that is now that of men and women in the 21st century.
This performance forms part of the programme of the Leeds International Medieval Congress 2022, which is Europe’s largest forum for sharing ideas in medieval studies. The IMC 2022 will take place from Monday 4th July to Thursday 7th July 2022 on the campus of the University of Leeds.
Mara Aranda has sung Turkish, Greek and Occitan songs, hymns, and the repertoires of folk singers and Sephardic Jews, transmitting a strong emotional charge and Mediterranean identity. Mara Andara, after more than 30 years in the industry, is considered as one of the greatest ambassadors for the Sephardic and medieval culture, with numerous awards, honours, and national and international recognition throughout her career in this specialist area. Her work highlights the figures of female composers of the Middle Ages, the ‘trobairitz’, which have been performed for the first time since being composed in the 11th-12th centuries, a musicalisation of the complete corpus. Her two most recent albums Sefarad en el corazón de Marruecos (Sepharad in the Heart of Morocco) and Sefarad en el corazón de Grecia (Sepharad in the Heart of Greece) won the award for Best álbum in Europe in the respective years of their release.
She is director of the International Centre for Medieval Music-CIMM.
Jota Martínez is a specialist in medieval plectrum and wheel instruments and is one of its most outstanding interpreters. His activities as a performer have led him since 1980 to present medieval and ancient Spanish music around the world, at some of the most prestigious festivals. He also has the largest collection of medieval musical instruments of the private Spanish tradition in Europe. His published works Instrumentos de la Tradición Medieval Española, s. V al XV (Instruments of the Medieval Spanish Tradition) e Instrumentarium Musical Alfonsí (Alfonsí Musical Instrumentarium) reference works for scholars and researchers of musical instruments in the Middle Ages.
Fernando Depiaggi, interpreter and composer of Arabic and Middle Eastern music and specialist in kawala and ney (Arabic reed flute) and percussion: darbuka (board), reqq., duff.
His specialty of Arabic-Andalucian music has led to lectures and introductory workshops on Arabic and Middle Eastern music in different cities in Europe. He is currently the director of the Funún Arabic Orchestra, and participates in various forms of music and dance of different styles.