Sin Dios ni Santa María

Sin Dios ni Santa María takes as its starting point the historical re-reading of the figure of the witch, an investigation that led its directors to texts, among others, such as Caliban and the Witch, by Silvia Federici. It is an analysis that unearths the dynamics of social expropriation directed at women's bodies, knowledge and reproduction for centuries. 

Synopsis: As there were no aeroplanes, people moved by means of prayers from one land to another and returned early, before dawn. In ancient sound recordings, the voices of shepherds speak of a mythical existence, witches and journeys. In the everyday life of a woman, the magic of their stories materialises as she waits for the night to come. Night is the time when journeys are possible.