This workshop proposes a practical journey that moves from a state of neutrality to the expressive amplification of melodrama, integrating fundamental tools from Jacques Lecoq’s pedagogy with the experience of the Physical Theatre Company (CTF) in the creation of the work Los Regalos.
The work begins with the use of the neutral mask as a tool to refine stage presence, identify unnecessary tensions, and train economy and balance in movement. Through this device, participants explore a state of availability, listening, and openness to space, prior to conflict, which allows them to strip away expressive habits and expand the clarity of gesture.
The workshop then moves into physical melodrama improvisations performed with the neutral mask, compelling participants to investigate how to tell a story without words, relying exclusively on the body, rhythm, and the composition of actions. In this process, participants explore how the body’s first language is that of emotions. This investigation draws directly from one of the central axes of the creation process of Los Regalos, where the neutrality of the face enhances the legibility of conflict and amplifies the poetic dimension of gesture.
In this way, the workshop proposes a pedagogical arc that moves from the neutral body to a body traversed by melodramatic conflict, offering concrete tools for contemporary stage creation.